Martial arts cinema and Hong Kong modernity:Aesthetics, representation, circulation


作者:by Man-Fung Yip


出版社:Hong Kong University Press

ISBN:978-9-88-839071-7 ; 9-88-839071-6

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At the core of Martial Arts Cinema and Hong Kong Modernity: Aesthetics, Representation, Circulation is a fascinating paradox: the martial arts film, long regarded as a vehicle of Chinese cultural nationalism, can also be understood as a mass cultural expression of Hong Kong's modern urban-industrial society. This important and popular genre, Man-Fung Yip argues, articulates the experiential qualities, the competing social subjectivities and gender discourses, as well as the heightened circulation of capital, people, goods, information, and technologies in Hong Kong of the 1960s and 1970s. In addition to providing a novel conceptual framework for the study of Hong Kong martial arts cinema and shedding light on the nexus between social change and cultural/aesthetic form, this book offers perceptive analyses of individual films, including not only the canonical works of King Hu, Chang Cheh, and Bruce Lee, but also many lesser-known ones by Lau Kar-leung and Chor Yuen, among others, that have not been adequately discussed before. Thoroughly researched and lucidly written, Yip's stimulating study will ignite debates in new directions for both scholars and fans of Chinese-language martial arts cinema.

  • Acknowledgments(第10頁)
  • Notes on Transliteration(第12頁)
  • Introduction : Martial Arts Cinema and Hong Kong Modernity(第13頁)
  • 1. Body Semiotics(第36頁)
  • 2. In the Realm of the Senses(第68頁)
  • 3. Myth and Masculinity(第97頁)
  • 4. The Difficulty of Difference(第127頁)
  • 5. Marginal Cinema, Minor Transnationalism(第157頁)
  • Epilogue(第198頁)
  • Filmography(第209頁)
  • Bibliography(第215頁)
  • Index(第227頁)